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Marilyn Mallia

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sotonDH Small Grants: Visualising intertextual dimensions of the Gothic itinerary in George Sand’s Consuelo and La Comtesse de Rudolstadt – Post 3

sotonDH Small Grants: Visualising intertextual dimensions of the Gothic itinerary in George Sand’s Consuelo (1842) and La Comtesse de Rudolstadt (1843) – Post 3 by Marilyn Mallia and Neville Grech The final product The home page In order to enable the general user to follow and understand our main section of Consuelo’s gothic itinerary, we provided further contextualisation through the addition of other sections leading up to our original contribution. Continue reading →

sotonDH Small Grants: Visualising intertextual dimensions of the Gothic itinerary in George Sand’s Consuelo and La Comtesse de Rudolstadt – Post 2

sotonDH Small Grants: Visualising intertextual dimensions of the Gothic itinerary in George Sand’s Consuelo (1842) and La Comtesse de Rudolstadt (1843) – Post 2 by Marilyn Mallia and Neville Grech In the preparatory phase, I cleared the way for copyright free texts, images and open access articles which could serve as links. Continue reading →

sotonDH Small Grants: Visualising intertextual dimensions of the Gothic itinerary in George Sand’s Consuelo and La Comtesse de Rudolstadt – Post 1

sotonDH Small Grants: Visualising intertextual dimensions of the Gothic itinerary in George Sand’s Consuelo (1842) and La Comtesse de Rudolstadt (1843) – Post 1 by Marilyn Mallia I am a 3rd year PhD student in Modern Languages, and my thesis investigates the uses French writer George Sand makes of the English Gothic Novel in her novels.   'Intertextuality' of this comparative kind lends itself to electronic visualisation. Continue reading →